Tag Archives: Casey Affleck

Manchester by the Sea

manchesterNote: This is the second part of a review double-header!  Jesse sent two recommendations in a single shot so I’m reviewing them at the same time. Click here for the other review.

What Jesse said:

Two movies for you to watch: War Dogs, and Manchester by the Sea. Very different but excellent flicks. War Dogs is so absurd it will make you laugh and then wonder if the grownups really are in charge… also, it was funny ’cause it’s true (based on a real case). Manchester by the Sea was a pretty intense slow burn. Casey Affleck plays the main character. Watch out for the BAHS-ton accents. Family drama.

Mike’s verdict:

If you’re going to freak out every time you see a frozen chicken, I think we should maybe go to the hospital. I don’t know anything about this.

Judging by this quote alone, I should like Manchester by the Sea. Add the fact that it is packed full of awkwardness and I should really like it.  Awkward people just trying to exist in a world where all the little things are much harder than they should be; this is my favourite kind of movie by far. But let’s get things straight right up front: I did not like Manchester by the Sea and I am struggling for a reason not to give it 0/10.

Right from the beginning I was aggravated.  The dialog starts before the opening credits music has faded and it was annoyingly difficult to hear what seemed like an expository exchange.  It was a relief when the music finally stopped – little did I know that all the music in this film would be annoying, out of place, too loud or unnecessary.  It was never appropriate to the scene, nor even ironically inappropriate – it was just all wrong.  Music usage is a crucial aspect of film and when not done correctly it can be devastating even to an otherwise fantastic movie.

Of course, this is not an otherwise fantastic movie. Affleck is annoying before you even see his face. To be fair, he did start to grow on me by the end, but I’m pretty sure that had more to do with the rest of the characters.  At first I wondered why his character would be so anti-social, but then it became clear; he has the most immediately unlikable family and friends imaginable. I can’t think of another film with so many genuinely unlikable characters.  None of them are relate-able as people. A good awkward movie is good because the awkwardness is familiar and understandable.  But all of the characters in this film are unpleasant – and they are definitely not helped by the awful fake accents that just make the dialog that much more painful to hear.

Thirty minutes in I wanted to stop watching. By an hour in I had checked the time remaining half a dozen times, and I really wanted to stop watching.  By and hour and forty-five minutes in I wasn’t sure that I’d be able to take anymore.  And then, inexplicably, it just ends abruptly without any resolution. Normally that would impress me, but this time it felt cheap; I had earned something more involved.

Maybe I’m out of practice. Maybe this is what passes for awkwardness in film these days.  In my day, we had people like Mark Duplass to show how awkwardness can be reveled in. I’d like to see him redo this film shot-for-shot with a better cast. The only actor that should stay in the Duplass version is Matthew Broderick. Yes, that’s right, Matthew Broderick is the single best part of Manchester by the Sea.  In fact, for his part I will give the film a whole extra point.

1/10

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Interstellar

What Jesse said:

… before he watched Interstellar:

Dude, we should go see Interstellar. Everyone and everyone’s monkey and everyone’s monkey’s dog is saying that it is fantastic. My brother and my cousin and my neighbour and my wife’s hairdresser’s pet saw it and they all say it’s awesome. They also say it’s the kind of movie we definitely need to see in IMAX. It is a space movie after all. Seriously, it’s going to be great. Plus it has Matthew McConaughey – he’s not as dreamy as Brad Pitt but he’s a close second.

… after he watched Interstellar:

Dude, please don’t review this movie. I don’t want people to think that I would recommend this – it will be devastating for my reputation as a movie-watcher and human-being. Please, please, please don’t tell people I made you and our respective significants pay $17 + taxes to see this in IMAX. Please. Let’s just forget this night ever happened.

Mike’s verdict:

I’ve decided to review Interstellar because even though the recommendation was both premature and formally rescinded, in the end I saw this movie because Jesse suggested we watch it: as far as I am concerned, that’s pretty much the definition of a recommendation. The fact that Jesse didn’t have his facts straight before he made the recommendation is irrelevant. Besides, there is already precedent for this type of situation: Black Dynamite.

There’s a lot wrong with Interstellar, but let’s start with the good because it’ll be quick. The atmosphere is great. This movie doesn’t have quite the same feeling of vastness that Gravity has – which is significant given that I watched Gravity on a comparatively tiny 8-foot screen rather than IMAX – but it still does a very good job of expressing the distance and emptiness of space. There is even one scene where I had a twinge of agoraphobia. I also really liked the stark difference in soundtracks between scenes on earth, in space vessels and in open space. You could really, really here the silence when it mattered.

And that’s it for good points.

My first complaint is that every major plot point is obvious – including the big twist. It’s not just obvious from the point of view of the spectator watching on the outside either – the characters themselves definitely should have seen it coming. The only parts of Interstellar’s plot that were not obvious were the ones that lacked any tie to actual science. Jonathan and Christopher Nolan took the liberty of using fantasy to fill in where science stops. In some sense this is fair, unfortunately I felt that the fantasy they invented was too silly. I really enjoy learning about the theoretical science behind space travel and this movie started off really well (at least to my non-specialist eyes). But it takes a bizarre tangent at the point where the science runs out.

Next, the characters. There is one interesting character in this movie; he gets all the best lines and is the only one you will feel for when there is danger. The entire rest of the cast is just there to ensure that the plot moves along – and I was never invested in any of them. In case you are wondering, the one good character isn’t portrayed by McConaughey, nor is it  really a central character in the strictest sense – in fact it isn’t a real person. I hope Bill Irwin is given the credit he deserves for bringing some entertainment to this movie. As far as the real characters are concerned, McConaughey was the same gritty-but-well-meaning character he is in every movie; Anne Hathaway and Michael Caine had suitably adequate performances but nobody is going to remember them for this movie. Matt Damon‘s role is less forgettable, but his performance isn’t really notable. I did like how Topher Grace and Casey Affleck were unceremoniously thrown in like extras though.

Overall, I think most of this movie was okay. I was basically entertained most of the way through until fantasy took over near the end. But it isn’t a good movie and it doesn’t deserve anywhere near the critical praise that it’s been getting. It’s also not worth the money to see it in a theatre – much less IMAX. I wish I’d waited and watched this at home.

4/10