What Jesse said:
I watched this awesome documentary about the Australian film industry last year and thought it was hilarious. It’s always amusing watching “dignified” high-brow people squirm, and you get plenty of that in this doc about how exploitation films like Mad Max and The Howling became the face of Australian cinema during the 70s and 80s. It seems like in order to compete with big budget Hollywood movies, the only way to go was to go for shock, gore, and all of the over-the-top activities associated with generally bad scripts, hilariously bad performances, and some truly ill-advised stunt work by people who were either incredibly brave/dedicated, or just plain stupid. Enjoy.
I’m still a little on the fence about reviewing documentaries because there is a very different dynamic between the film and audience compared to traditional fiction-based films. But since there are definite qualities that make documentaries more (or less) enjoyable to watch I’m going to give it a try.
I think that I might have missed the point that the writers were trying to make with Not Quite Hollywood. Before last night, my thoughts on American movies from the late 60s through the early 80s could be summed up as: boobs, gore, and busted cars. After watching Not Quite Hollywood, my thoughts on Australian movies from the late 60s through the early 80s can now also be summed up as: boobs, gore, and busted cars. The only real differenceseems to be the accent. The writers tried to make the argument that Australian films of the time were somehow ‘worse’ – more boobs, more gore, more busted cars. Maybe that’s true – but I wasn’t convinced. What really came across for me was a feeling that the people involved in Australian genre films had lost their audience at some point after the 80s, and wanted a way to get back in the spotlight. Maybe the film would have come across as less self-serving if it had been written by someone not obviously involved in the subject.
In any case, none of that changes the fact that this film is quite interesting. For me, the most surprising thing was just how closely American culture and counter-culture in the 60s and 70s were mirrored in Australia. Women’s liberation, the sexual revolution, anti-Vietnam protests, the abortion debate: they all feel like very North American subjects to me – obviously because that’s the angle that I learned about them from. Realizing that these issues were being dealt with in very similar ways in Australia (and probably other western countries) at the same time is fascinating. In hindsight it shouldn’t be surprising at all, but perspective is everything; especially regarding the teaching of history. Placing films on the backdrop of the culture that produced them is eye-opening. It would have been nice to have had more actual comparison with American films though; at least to make the differences more obvious.
While the content of Not Quite Hollywood was definitely engaging, I did find that at certain points I was impatient for the film to move on. The section covering horror/gory films seemed particularly drawn out. It wasn’t a case of the gore being too much, but actually the opposite – eventually I was bored.
In some sense this film actually falls victim to the same issue that its subject matter was criticized for – it tried to be over-the-top, but instead was just too much. A re-edit to bring the film down to an hour and 30 minutes would make it much more accessible.