…And, in honor of the passing of the great Philip Seymour Hoffman I want you to watch Happiness, a truly twisted piece of film-making. Hoffman’s performance is disturbing and brilliant and the opening bit with Jon Lovitz is absolute genius.
Happiness is about the most unfortunate family ever – even by movies standards. It’s centred on three sisters living very different lives but with a common undertone – nobody is happy; everybody is lonely. Even the people in their lives are lonely. And it’s really uncomfortable. So very uncomfortable.
But unlike most awkward films, Happiness is not just a series of unfortunate events or poor choices. Instead, the discomfort comes from its honest portrayal of life. Quietly anxious but evenly understated, Happiness is shocking because it all seems so tangible. The characters are real people with real flaws. Some of them are lost, some of them are sad, some of them are monsters – but they’re all still very substantial.
I really enjoy awkwardness in movies, and I definitely enjoyed this one. The acting is great, the dialog is witty and the pace was perfect – true awkwardness is not as easy as it seems. Even the soundtrack was well-chosen; Hoffman’s character’s theme song would definitely be All Out of Love.
However, this movie is not for everyone. There are a few scenes that are Hollywood icky – American Pie style. And the real awkwardness involves a level of discomfort that falls somewhere between that of Shame and Humpday. But it’s worth seeing if you’re into that sort of thing.
Favourite line of the movie: “Everyone uses baggies, that’s why we can all relate to this crime.”